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Bach fully merited *#tlzqm9 jordans with yellow blue white black 23s his posthumous acclaim. Even while he embodied the European religious spirit in music he sounded the way for the next centuries from the church to the public concert hall. As Bach explained, the charac- teristic techniques of his Baroque music served both God and the listening audience. The jordan 16 low thorough bass [or continuo] is the most perfect foundation of music, being played with both hands in such manner that the left hand plays the notes written down while the right adds consonances and dissonances, in order to make a well-sounding harmony to the Glory of God and the permissible delectation of the spirit; and the aim and final reason, as of all music, so of the thorough bass should be none else but the Glory of God and the recreation of the mind. Where this is not observed, there will be no real music but only a devilish hubbub.THE arts ofinstrument-created nike air max ltd white black music changed the relation of performer to audience. Western drama had been born in the separation of ancient Greek spectators from the participants, and the "orchestra," once a dancing place for community ritual, became a site where some danced while others looked on. So, too, modern music climaxing in the symphony would separate the audience from the music makers in a new way. Since Gregorian chants had been sung by the clergy only, Luther's emphasis on congregational music aimed to allow all to affirm their faith by the very act of singing. But the elaboration of musical instruments, increasingly specialized and requiring increasing skill, opened a widening gulf between performer and listener. Now the audience heard someone else's affirmation.A product of this rise ofinstrumental music, a grand creation of Western music, was the symphony. The word 6'sonata" (from Latin sonare, to sound) as opposed to "cantata," a composition for voices (from Latin cantare, to sing), first comes into English about 1694, for a musical composi- tion for instruments. The great creators of symphony had at hand a new musical form along with a newly elaborated array of instruments in an orchestra-in communities eager to support their work. All these elements came into being slowly after the Renaissance, the product of women jordan shoes some people we know and of more who remain anonymous. The "sonata" in the baroque period (1600-1750; the era of Monteverdi, Purcell, and J. S. Bach) came to denote a new type ofinstrumental work in the "abstract" style. This meant music without words, and referring to nothing outside itself. By the end of the seventeenth century the sonata had emerged and begun to be standardized in the works of the Italian violinist and composer Arcangelo Corelli (1653-1713). His two versions were classi-