rocchio's Baptism *#tlzqm6 of Christ, Madonna and Child, the apprentice did it s*
well, according to Vasari, that "Andrea would never
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being most indignant that a boy should know more of the art than he did.'
A similar legend had been told of Cimabue and his pupil Giotto, and woulc
be told of Francia and Raphael (1483-1520). It was also told of Picasso am
his teacher-father. "He is a poor pupil," Leonardo later wrote in his note
book, "who does not surpass his master." By 1477, Leonardo, at the age o
twenty-five, with his own studio was supporting himself by commissions
Was Verrocchio, as some say, to be Leonardo's John the Baptist? Was no
Leonardo himself one of Verrocchio's masterpieces?
Leonardo's combination of limited book learning and long workshol
training helps account for his lifelong distrust of bookish knowledge am
scholastic commentators. He felt
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In 1482, when Leonardo was thirty, Lorenzo de Medici (the
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sent him to Ludovico Sforza, duke of Milan, to present a silver lyre in th
shape of a horse's head, on which Leonardo was an adept performer. Ther* in Milan Leonardo remained for eighteen years, from age thirty to forty eight. It is not clear why Lorenzo, a jealous patron and shrewd judge o talent, made no effort to bring him back. Perhaps Leonardo himself, th<
scientist-artist-engineer, preferred the enterprising spirit of Sforza's Milar
to the Neoplatonic miasma of the Medici circle in Florence. These years ir Milan were among his most productive-as a painter and as a designer o: court festivals and noble weddings-yet he made the time to pursue hi' interests in anatomy, biology, mathematics, physics, and mechanics. Hi'
anatomical studies,
air max shoes 95 cheap nike Leonardo himself boasted, had led him during his lifc to dissect some thirty corpses. He enjoyed the stirring companionship o: savants and filled his notebooks with subjects for treatises he would neve] write, while offering plans to the Sforzas for fantastic weapons, granc schemes of military architecture and hydraulic engineering.
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