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A sympathetic new *#tlzqm6 rector at the school temporarily relieved his uneasiness, and his appointment as director of the city's collegium musicum put him in touch with mature musicians and wider audiences. Now he gave less attention to his cantatas and devoted himself to the rolando louboutins keyboard pieces for his Clavier-Ubung (four volumes, 1731-42), which included the Italian Con- certo, organ pieces, and the Goldberg Variations. Supra TK Women Society white pink blue New quarrels with the authorities of his school and the collegium had to be settled in the law courts. Meanwhile Bach found other outlets for his talents, visiting Dresden and other cities for organ recitals. He continued revising and enlarging his keyboard works-with a second collection for The Well-Tempered Clavier(1742) and improvements on his earlier chorale preludes. In the hope that he would be named court composer Bach put theological scruples aside and created his most famous work. The Mass in B Minor, sometimes called "the greatest christian louboutin alti piece of Western music ever composed," he made in the first instance for Augustus III, elector of Saxony, who was a Catholic. The Lutheran service had shortened the Catholic Mass, including only its first two divisions, the Kyrie and the Gloria: it was these that Bach sent to Augustus in 1733. But for some reason Bach was impelled to expand these sections into a complete Catholic Mass. Since it takes three hours to perform, it is not suited for the regular liturgy and nowadays is performed as a "concert Mass." Bach created it from his earlier compositions-a Sanctus of 1724, a Kyrie and Gloria of 1733, and other items-and it was completed about 1747. The five years he spent putting it together were longer than the time Michelangelo devoted to the ceiling of the Sistine Chapel. Bach may never have intended it to be offered at a single perform- ance. It pale pink wedding shoes was certainly never performed in its entirety in Bach's lifetime. Nearly a century later his Mass in B Minor had a complete performance, and it has remained a pinnacle of modern religious music. Bach's son Carl Philipp Emanuel was musician at the court of Frederick the Great in Potsdam. In 1747 Frederick invited Bach to his royal apart- ments at the hour when Frederick usually listened to chamber music. Frederick himself, a witness reported, went to the "forte piano" that stood there, and played "in person and without any preparation, a theme to be executed by Capellmeister Bach in a fugue. This was done so happily by the