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infelice.' " The neglect *#tlzqm8 of his person, John Russell noted about 1820, gave him "a somewhat wild appearance. His features are strong and prominent; his eye is full of rude energy; his hair, which neither comb nor scissors seem to nike air max ltd white black have visited for years, overshadows his broad brow in a quantity and confusion to which only the snakes round a Gorgon's head ofFer a parallel." At the height of his fame in Vienna after 1802, he managed to support himself without an official position. His bargains with music publishers were more favorable than those of Haydn or Mozart. Noble patrons supported him with honoraria and fees for dedications. Vienna had not treated him badly, but he was ingenious at finding causes for quarrel. After the benefit concert in 1808 where the Fifth and Sixth symphonies and his Fourth Piano Concerto were first played, he imagined a conspiracy led by Salieri, Mo- zart's archenemy. Outraged at the "intrigues and cabals and meannesses of all kinds," he threatened to leave Vienna. He would accept the invitation of Napoleon's brother, Jerome Bonaparte, installed as king of Westphalia, to be his music master. With this as a bargaining chip, he drew up a remarkable document, to be signed by three of his rich Vienna patrons- Archduke Rudolph, Prince Lobkowitz, and Prince Kinsky. It stated the conditions on which Beethoven would remain to enrich the musical life of Vienna and Austria, his "second fatherland." Since a composer had to be left free "for the invention of works of magnitude," Beethoven would be Berlin whether his new Mass in D and his Ninth Symphony might be give] nike air max ltd green white their performance there. When word of this leaked out in Vienna, thirt: leading citizens and music orange jordan shoes patrons of Vienna addressed an open letter tr him urging that he offer the premiere performance in Vienna. The green and white nike air ltd grandilo quent memorial reminded him of his proper loyalties: . . . for though Beethoven's name and creations belong to all contemporaneou humanity and every country which opens a susceptible bosom to art,it is Austri, which is best entitled to claim him as her own. . . . We know that a new flowe glows in the garland of your glorious, still unequalled symphonies. . . . Do no longer disappoint the general expectations!. . . . Need we tell you with what regre